I just saw some beautiful photographs by Chinese artist Liu Bolin, from a series called Hiding In the City, where he gets painted into his environment. These works were inspired by the destruction of his studio to (I believe) clear ground for the Olympic stadium in 2008.
There's a brief interview with him in White Hot Magazine which I quote from here:
Major Props to fellow activists and artists for this action they did today in downtown Phoenix. "In a daring act of civil disobedience in downtown Phoenix this evening, at least four activists occupied a tall crane near Central Avenue and Jefferson Street and deployed a huge banner that read "Stop the Hate," with red lines crossing out "287(g)" and "1070," reported the Phoenix New Times.
In their message, the group said some powerful words:
There's a thoughtful (and critical) review of the Justseeds collaborative book Firebrands on Ernesto Aguilar's blog here.
(It's a great blog too!)
Jules Perahim was a Romanian artist who died in 2008. Most links to him on the web refer to his surrealist works (in the Dali vein of surrealism) produced while he was in exile, in Paris, in the 1960s and 70s. But Perahim's work before this leaves just enough milestones to trace an interesting path, from a young Romanian Jew involved with the socialist movement and avante garde art circles, to exile in the Soviet Union during the Axis-allied government during WWII and then returning with the Red Army and becoming part of the new communist government. Finally moving to France and being remembered for his work in surrealism. Between these broad strokes, I think, there's a story of an age....
As you may know, Justseeds operations moved in May of this year from a city with some bridges, Portland, OR, to a city with more bridges, Pittsburgh, PA. The transition has included moments that fit all sorts of descriptive terms; from the ridiculous to the sacred. But now it's the time we've all been waiting for: the Front Desk is set up and the Chair is in place, ready to take action.
This week, we held a meeting at Espresso a Mano, a locally-owned coffee-shop a few blocks away, where the three of us may, or may not, be addicted to the the cold-brewed coffee. At the moment, we are in the midst of preparing for the sublime prints of the Resourced portfolio to grace the walls of our space. After a brief meeting, we headed to our neighborhood hardware store, where we consensed on Scotland Isle, a mid-tone green in the Asparagus family, in a record amount of time. This color will be the backdrop of our next several shows, so it had to be just right. The paint-mixer on duty was kind enough to let us know about the dangers of improper ventilation, that green promotes tranquility, and that you know you're dehydrated if your pee is too dark. It may also be noted, by the note-maker, the green is also the color of the heart chakra.
Please check out our event this Friday if you're in the area, otherwise, don't forget: ventilation and hydration are the keys to success!
I am making a bunch of drawings and sculptures of "plausible inventions." Here is one of them.


Third Coast Digest recently featured an article on the Watershed art show that I co-organized with Raoul Deal in Milwaukee. Here is a link to the article by Kelly Gehringer.
http://thirdcoastdigest.com/2010/07/the-art-of-conservation-via-watershed-milwaukee/
EXPOSICIÓN GRAFICA EN LA ZAM
Viernes 30 de Julio
7pm
En la ZAM
Inaguración, y Presentación de la Serie de Carteles sobre CAMBIO CLIMATICO:
¡ANTE LA DESTRUCCIÓN AMBIENTAL, ORGANIZACIÓN!
This week's Rad Teen Print off the week is from Desmond, a student at RUST (Radical Urban Silkscreen Team) in Hazelwood.
Students each picked an inspiring quote at random, chosen by Closing the Gap, a health program of the YMCA. Students then picked an image and laid out text. This was a first silkscreen project for all of them. It should be noted that printing a large solid area like this is hard to do for even a seasoned printmaker, and Desmond nailed it! More to come!

Justseeds RESOURCED Portfolio Launch Reception
Pittsburgh, PA
Friday, July 30th - 6-10pm
Free and Open to the Public
3410 Penn Ave 2nd Floor
(entrance and bike parking around back via Spring Way)
EVENT DETAILS:
Justseeds Artists' Cooperative is launching our newest collective portfolio project, RESOURCED, at our new space in Lawrenceville (Pittsburgh) on Friday, July 30. Prints from the portfolio will be on display and portfolios will be for sale. Artwork by Justseeds artists will also be available for sale, as well as books, zines, and Celebrate People's History posters. The event is free and open to the public from 6 to 10pm.
In the decade from 1931 to 1940, B. Traven published a series of six books known as his Jungle Novels: Government (1931), The Carreta (aka The Cart) (1931), March to the Monteria (aka March To Caobaland) (1933), Trozas (1936), The Rebellion of the Hanged (1936), and A General from the Jungle (1940). The Jungle novels are a series of interconnected stories about the struggles of the Indigenous in Chiapas at the end of the 19th Century, and how their rebellion starts the Mexican Revolution. This week let's take a look at the first three novels:

We're having a book release for our new book Firebrands: Portraits from the Americas!
Come hang out, enjoy some refreshments, and see illustrations from the book on display!
Friday, July 23
7:30-10:00 PM
BOOK THUG NATION, Used Bookstore/Community Space
100 N3rd St Between Berry St and Wythe Ave Williamsbug, Brooklyn.
Brooklyn, NY
Curated by the Justseeds Artists' Collective, Firebrands is full of peoples' history, and dangerous information. These beautifully illustrated mini-poster pages showcase radicals, dissidents, folk singers, and rabble-rousers, from Emma Goldman to Tupac, Pablo Neruda to Fred Hampton. As say editors Shaun Slifer and Bec Young in the introduction, the book "is especially made for anyone who has sat, trembling with frustration and disappointment in history class, or reading a text book heavily edited of anything interesting or useful. It's for all our ancestors, especially for the ones left out of or misrepresented in said textbook, because they were too brown, too female, too poor, too queer, too uneducated, too disabled, or because they felt or thought too much." This is a real people's history, a book packed with dynamite, desire, and, above all, courage.
Awhile back I got an email from Joe Lurato (aka :01), who started stenciling a couple years back, and has really been honing his craft and trying to figure out how to use artwork for social good. He just finished a couple prints with the Abztract Collective that are quite nice. Often his work is a little too photo-realist for my personal taste, but I like his stencil style here, very Euro with lots of bridges, but distinct as well. More info HERE.
My friend Mathew Curran just got back from a productive visit to Madrid, he's got a short video of the process of cutting a huge stencil, painting it, and pasting it up. Pretty cool:
I am making a bunch of drawings and sculptures of "plausible inventions." Here is one of them.

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For the book lovers out there, check out John Duda and Kate Khatib's great history of Charles H. Kerr, the oldest left publisher in the US! It's published by AREA Chicago HERE.
The much anticipated sticker exhibit PEEL HERE just opened this weekend, July 17th, in Los Angeles and will be up for two weeks. The show is organized by Sticky Rick, one of LA's go-to-guys for sticker printing - this show is bound to be a success. I have a piece in the show and am happy to be in the company of some all star artists! Including Man One, Ernesto Yerena, Vyal One, Robbie Conal, Lalo Alcaraz, & the London Police. You can expect to find a massive sticker slap walls!!!

I just released my new art print about Malcolm X, the revolutionary who has most influenced my political framework. His most powerful lesson for me was around self-determination, that is, the belief that we as people of color should be in control of our own destiny. Check it out by clicking here.
After a long hiatus, Rad Teen Print of the Week is back!
This print is from Sabrina, one of our new students at this Summer's RUST (Radical Urban Silkscreen Team), a project of The Andy Warhol Museum in the Pittsburgh neighborhood of Hazelwood. This project was for Bridging the Gap, a health initiative of the YMCA. Students picked randomly from a list of inspiring quotes and came up with an image to go with the text. This was a first silkscreen printing project for all of them.
At the conclusion of RUST in August, the silkscreen equipment will stay in Hazelwood at Center of Life, an awesome youth programming center run out of an old church and parish house. Most of their focus is on jazz and hip hop performance, and we are all excited to see how silkscreen printing can expand what they are already doing.
More to come!
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Next up in the B. Traven book cover-athon is The Death Ship. My favorite Traven novel (well, maybe a tie with The Rebellion of the Hanged), The Death Ship is a great story of a sailor on a ship write after WWI, just as the borders of the modern nation states across the world are being fully codified, leaving him and the rest of the crew a ship without a country, and thus invisible and impossible to the modern world. This book had had some great covers. I was only able to track down eleven, but I've seen some others I hope to still find and put up here sometime in the future. The cover to the left is one of the best, carrying an illustration by Seymour Chwast.

Swooph
Paris, 2007
Tomorrow (Saturday) is the last day to see this show in person:
Sailing the Barbarous Coast: work by Colin Matthes and Anthony Smith
At
Walker's Point Center for the Arts, Milwaukee, WI
Here are a few install photos:
Sculptural work by Colin Matthes


"We were taught how the pioneers went into the West. They opened their eyes, and made up what things could be."
On the minds and tongues of several of my friends and cohorts lately has been Levi's unveiling of their new ad campaign focusing on the near-to-Pittsburgh borough of Braddock, PA. Rumors that Levi's was throwing cash at Braddock-based projects and hiring local models turned out to be true, yet somehow the end product of their presence in the city has left most of us feeling a little more ill than we had anticipated.
Much has been written about Braddock in national news, touting the decimated city as a destination for young artists/entrepenuers and an example of innovative local government striving to build anew in the (very real) rubble of the old. For many, Braddock is iconic in it's present stature, and the historical injuries wrought upon the borough by profit-motivated power mongers continued most recently as UPMC withdrew it's Braddock hospital facility this January - managing also to remove the only ATM and cafeteria from the city.
A video to take you into the weekend:
"This video was made as a response to the G20 Summit in Toronto June, 2010."
The rest speaks for itself. It was sent to us by a lover of our music who wants to remain anonymous. We are very proud to share this mash-up with you.- Broken Social Scene
A sped up version of the news cycle, not exactly sure what media like this is supposed to provoke. How does condensing this material repurpose it from news to social commentary?
I've always got so many questions, and looking for folks with answers!
The East Bay Express each year recognizes the baddest, raddest and dopest talent in the San Francisco Bay Area. This year, our collective, the Taller Tupac Amaru was named the Best Political Art Collective in the BEST OF THE BAY 2010 Awards. Together with Jesus Barraza, I, Favianna, co-founded the Taller Tupac Amaru back in 2003. Later we would be joined by the uber talented Melanie Cervantes. The three of us would later join Justseeds and Melanie and Jesus would later form Dignidad Rebelde. Yes, lots of collective art-making going on here. You can hear an in-depth interview by our fellow JS collective member, Dylan Miner, by clicking here.
The article reads:The three can be found making screen-printed political posters in Rodriguez's small backyard studio in Oakland. Their provocative and lively prints are also distributed to nonprofits and grassroots organizations, with themes such as anti-war, police brutality, and immigration.
Poster archivist and expert Lincoln Cushing will be presenting on the posters of the Chinese Cultural Revolution at the end of the month. I'm sure it will be well worth checking out if you are in SF:
Art or propaganda? An unconventional look at the posters of the Chinese Cultural Revolution
A slideshow talk by Lincoln Cushing and Ann Tompkins
Saturday, July 31, 2-4 PM
Asian Art Museum
200 Larkin Ave., S.F.
$15 Society for Asian Art members, $25 nonmembers
http://www.societyforasianart.org:80/newsletter.html
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Peter Watkins is one of the more interesting antiauthoritarian political filmmakers of the last 40 years, and his most recent film, La Commune, is screening this Saturday at 16Beaver in NYC. This is a rare opportunity to watch this film as intended: all at once (it's long!) and with a group, with discussion to during and after, and over a meal! Here's the details:
What: Screening, Discussion, and Dinner
Where: 16Beaver Street, 4th Floor
When: Saturday 07.17.10 at 11:30 am
Who: Free and open to all
If you are in the Chicago area, you can find art pieces by two Just Seeders - Erik Ruin and myself, Favianna - at the COPY JAM coming on July 30th to Chicago! Its being organized by the awesome blog, PRINTERESTING. This is one of more cooler art show concepts I have run into recently. I love the idea of using an old copy machine to reproduce work. It's great to see how folks can interact with the artwork by taking copies of it.
Check out this video:
Art In The Age & Printeresting Present...COPY JAM! from Art In The Age on Vimeo.
COPY JAM! 2: TEXT EDITION
A Printeresting Curatorial Project
at The Printers' Ball
The Luddington Building
1104 S. Wabash Ave
Chicago, IL
One Night Only!
FREE ADMISSION

Pour one out for Harvey Pekar and Tuli Kupferberg. Pekar was known for his comic American Splendor, which he wrote and enlisted artists to illustrate including R. Crumb. He also wrote "Students for a Democratic Society: A Graphic History”, and “Studs Terkel’s Working: A Graphic Adaptation” ( which Justseeds artist Dylan Miner contributed to). Kupferberg was a New York artist and musician in the Fugs, a bohemian and activist who's antiwar songs became anthems of the Left.
I am making a bunch of drawings and sculptures of "plausible inventions." Here is one of them.

Just released a new piece on Justseeds. click here to view piece
My interest in food justice and food politics began in 2003 when I read the groundbreaking book by Eric Schlosser, Fast Food Nation. Understanding the fight against large food corporations, agribusiness, and seed monopolies strongly shaped my interest in being a more conscious eater. By choosing local, organic, clear, and fairly-produced foods in my daily diet, I am able to make a choice about who I am and the world I wish to help create.
The choices we make around food can lead to social change in many areas, including workers' rights, animal rights, environmental protection, biodiversity, independence from oil, seed freedom, and the empowerment of farmers. By eating local and eating clean, we take power and profits away from global agribusiness and strengthen our local food community. Local food economies are Sustainable food economies.
Check out the website for a show on art and environmental justice that I have co-organized with Raoul Deal in Milwaukee. This past week, 17 artists did a host of fascinating public projects and interventions throughout the city. The website has images and text about each one and in the coming months, short films by Laura Klein will document each project.
Xavier Tavera and Maria Cristina Tavera, projections on the Milwaukee River

Watershed: Art, Activism, and Community Engagement addresses the shifting ecological and political dimensions of water. The project, organized by Raoul Deal and Nicolas Lampert, uses art as a form of activism to comment on water issues in Milwaukee and the Great Lakes Basin, and their impact on the world at large. It tackles issues such as water shortages, notions of abundance, water privatization, invasive species, industrial pollution, and water as a human right. In July, 2010, 17 local and national artists created public art projects and interventions in Milwaukee and other sites in Wisconsin that addressed a myriad of water issues. In January, 2011 an installation and documentation of the interventions and the community print shops will be staged at the Union Art Gallery at the University of Wisconsin-Milwaukee.

This week we take a trip a little bit beyond the limits of my friends' and my book collections. This is the first in a series of posts collecting the book covers of the mysterious author known as B. Traven. Between my personal collection, a selection of friends bookshelves, the Kate Sharpley Library, and some serious internet hunting, I've gathered over 90 different covers for about a dozen Traven novels. Traven is most well known for his successful novel The Treasure of the Sierra Madre, which was made into an even more successful film in 1948 starring Humphrey Bogart.
The interesting thing for me is that Traven was also an anarchist and anti-capitalist, and because of the success of Treasure, as well as The Death Ship and his series of Jungle novels (all of which I'll be featuring in coming weeks), he is probably one of the most published and translated anarchist writers ever. Few other than popular fiction authors get such a diverse collection of covers, and Traven and his politics have had hundreds of covers over the 80 plus years his books have been in print. Today we'll start from the beginning, here's sixteen covers from The Treasure of the Sierra Madre.

Leonard Jefferson is a prolific artist who has used his art to provide analysis and commentary concerning Pennsylvania's criminal justice system and his lived experience behind bars. His art is typically small/medium-sized pen & ink drawings of prison settings; he has used his art to do outreach to the general public by sending it to various individuals and organizations, including human-rights groups.
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While in London for the Anarchist Bookfair last year I got to meet a smart new street artist named Xylo. In a city where street art had gone just as commercial as NYC, it was refreshing to run into his work, whether it was critiques of the cctv system or "Lost Animal" flyers for endangered frogs. His latest work is a commentary on the recent rash of suicides in the tech manufacturing sector of China (more info HERE), a series of old iphone/ipods with small scale stencils on them. Check out more of his work HERE.
I had a long phone conversation with writer Daniel Fuller this winter - he had driven to town from Philadelphia specifically to find the Howling Mob Society historical markers after hearing about the project at the Creative Time Conference in NY last fall. Daniel recently published a nice article on Afterall Online, even if I take some issue with the Shepard Fairey comparison at the end (his posters were more recently pasted nearby, but I would argue that the motivation behind Fairey's "Obey" brand is of a very different nature than the HMS work). Daniel also wrote captions for all his photos which offer some good further insight as to the placement and orientation of the markers. Feels like this project launched in my home city ages ago, and it's nice to read fresh opinions on it!
I am making a bunch of drawings and sculptures of "plausible inventions." Here is one of them.


The Taller Tupac Amaru is a collective art studio founded in 2003 by Xicana artists, Jesus Barraza and Favianna Rodriguez, who are also members of Just Seeds. The mission of the Taller Tupac Amaru is to produce political posters and art prints in order to revive the medium of screen printing. Jesus and Favianna were trained by printmaking masters in California, including Jose Alpuche from Self Help Graphics (Los Angeles) and Juan Fuentes from the Mission Cultural Center for Latino Arts (San Francisco).
In 1998, Favianna was an intern for the Center for the Study of Political Graphics in Los Angeles, where she was inspired to become a political poster artist. While working at Mission Grafica, in San Francisco, from 2001-2002 Jesus was mentored by Juan R. Fuentes, Calixto Robles and Michael Roman who taught him about the many applications of screen printing. In 2007, Melanie Cervantes joined the studio after learning how to screen print at Laney Community College in Oakland. Melanie is also a member of Just Seeds and has played a key role in mentoring young Xicanas in screenprinting.
The three of us just did a super cool interview while we were at the US Social Forum.
An Interview about the project: The Museum of Political History of Which No One Speaks (In Memory of Stas and Nastya) conducted by Freya Powell
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A while back we posted about a public art project in St Petersburg Russia. Freya Powell conducted this interview in March 2010 via email with artists in St Petersburg Russia who knew about this project. This is its first publication.
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Political printmaker Doug Minkler has a great long-format audio interview up online from KPFA's Against the Grain radio show. I don't know how to embed it here, so head over to KPFA's site and give it a listen or download!! Listen HERE.
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Here's part two of the New World Paperbacks series. I've only got a dozen different books on my shelf, but if anyone else out there has some more cool NWP covers, send them my way! At the heart of this post are four covers of Kwame Nkrumah books. The illustration and color choice on Dark Days in Ghana is fabulous, and the simplicity of Challenge of the Congo is great. I used to have a fifth Nkrumah book too, but I must of lent it out and never gotten it back! And finally a couple classics, Marx and Foner.
Act boldly for peace – We need your help to distribute The Peace Posters in your local area!

The Peace Posters is a 32 page BROADSHEET NEWSPAPER which unfolds to 30 posters and is available for FREE … Out Now!
Help us get them out into the world. To obtain copies of this free broadsheet for bedroom walls, workplaces, street poles, community notice boards, shopfronts and schools, please email: distro@breakdownpress.org with your address and how many copies you wish to receive!
FEATURING POSTERS by: Colin Matthes, HA-HA, Ann Newmarch, John Emerson, 7U?, Kathleen McCann, Olaf Ladousse, Lluis Fuzzhound, Marc Martin, Marc de Jong, Caitlin Poduska, M.P. Fikaris, Van Rudd, Iain McIntyre, Stewart Cole, Aris Prabawa, Tom Civil, Rasool Parvari Moghaddam, Mathew Kneebone, Erik Ruin, KA’a, Bretton Bartleet, Arlene TextaQueen, Lou Smith and Tom O’Hern. And poetry by Ocean Vuong, Anwyn Crawford, Mammad Aidani and Opal Palmer Adisa.
Published by Breakdown Press \\ Printed in Winter 2010 \\ Direction by Tom Civil and Lou Smith
As the city of Oakland waits with anxiety about the decision the jury will come to and the final outcome of the Johannes Mehserle trail verdict artists are busy at work paying tribute honoring Oscar's memory.
This is a long piece about art and activism for a mainstream paper like the Washington Post. Go Favianna, Cesar, and everybody who got this coverage!
Cesar Maxit, Graham Boyle, other artists inspired by community activism
By David Montgomery
Washington Post Staff Writer
Sunday, June 20, 2010
http://www.washingtonpost.com/wp-dyn/content/article/2010/06/17/AR2010061706284.html?hpid=artslot
The artists are just back from Arizona, where they have been playing activists, marching against that unforgiving new immigration law.
Now the erstwhile activists are at Busboys and Poets at Fifth and K streets NW, where they are playing artists again with a bunch of new work. The lights go down, the digital slide show comes up, and what we see is . . . art? Activism? Both? Neither?
Unclear, but let César Maxit be our guide.

Wow, when Howard Zinn died, I knew we had lost a champion, but it never crossed my mind that he was the thin line that protected the thousands of people who were freely sharing his insights from A People's History of the U.S. from the hoards of corporate lawyers and other parasites trying to capitalize on his legacy. The folks at the History is a Weapon website, who have for years made available for free a downloadable version of said book (with Howard's consent!), recently opened their mailbox to find a cease and desist letter from HarperCollins, one of Zinn's publishers. You can read all about it HERE. If we want to preserve Zinn's legacy, we need to figure out how to keep his work in circulation and available to ALL, and keep the vampires at bay...
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Activists in the Boycott-Divestment-Sanctions (BDS) Movement against Israel have been getting really creative, here's a LINK to an action in Sweden recently, switching out price tags at H&M.
This Sunday Jesus and I will be presenting at the Socialism Conference in Oakland. It will be at the Oakland Marriot.Sunday, July 4th at 11:30 am. "Art and Resistance".
The conference describes itself as follows:
With the economy in shambles and with wars and occupations continuing, the challenge to change these conditions confronts us all
I recently completed this installation titled "PACHAMAMA VS. CAPITALISM : PLANETA O MUERTE." The installation was a part of the exhibition "Let's Talk of a System" which was the inaugural show for the new partnership between Intersection for the Arts and The Hub Bay Area.
The group show closes this Saturday, July 3, 2010 so be sure to check it out if you are in the San Francisco Bay Area. The exhibit features the work of April Banks, Sergio De La Torre & Vicky Funari, Suzanne Husky, Laura Parker, James Reed, Banker White and myself, Favianna Rodriguez.
Intersection 5M Gallery - 901 Mission Street @ 5th. San Francisco, CA 94103
My friends in BS.AS.Stencil and Run Don't Walk have teamed up with fellow stencil artist Malatesta to install "Sindicato" at the BSAS gallery Hollywood in Cambodia. This is one of the densest, most insane looking stencil installs I've ever seen! More photos HERE.
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The Center for the Study of Political Graphics presents:
Out of the Closet & Into the Street: Posters of LGBTQ Struggles & Celebrations
July 3 – September 26, 2010
Opening Reception: July 3, 5-8 pm
ONE Archives Gallery & Museum
626 N. Robertson Blvd.
West Hollywood, CA 90069
Despite decades of affirmation and positive role models engendered by the LGBTQ liberation movements, discrimination based on gender and sexual orientation continues. Hospitals still refuse to allow lesbians and gays to be with their sick or dying partners by restricting visitation to “family” only. Same-sex couples are denied equal inheritance rights, pensions and health-care benefits, and lesbian and gay parents are often denied custody of their children. Violent attacks and homicides against members of the LGBTQ community continue and recent legal gains are tentative and subject to reversal—Californian’s right to marriage equality was taken away; open lesbians and gays continue to be excluded from the military; and as recently as February 2010, the Governor of Virginia signed an executive order deliberately removing gays and lesbians as a protected class in state-wide hiring procedures.


